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«C’est pas ma France à moi…»: identités plurielles dans le rap français

Devilla, Lorenzo (2011) «C’est pas ma France à moi…»: identités plurielles dans le rap français. Synergies Italie, Vol. 7 , p. 75-84. ISSN 1724-0700. Article.

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Rap music is one of the most important musical phenomenon of the last twenty years. Beside festive practices, it also affirmed as a critical and anti-establishment art. Made especially by young people descendants of immigrants, living in deprived French inner-city areas, the banlieues, rap music has become a way of social revendication. In their texts rappers use elements of their plurilingual repertoire which mirror their different countries of origin. Through loan words from their indigenous languages they exhibit multiple belongings, plural identities. This is precisely what we aim to show in this article, through the analysis of a corpus of songs from the 1990’s to nowadays.

Item Type:Article
ID Code:6585
Uncontrolled Keywords:Rap music, social revendication, young people descendants of immigrants, plural identities, loan words
Subjects:Area 10 - Scienze dell'antichità, filologico-letterarie e storico-artistiche > L-LIN/04 Lingua e traduzione - Lingua francese
Divisions:001 Università di Sassari > 01 Dipartimenti > Scienze dei linguaggi
Deposited On:17 Nov 2011 16:52

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