Abstract

The thesis titled La Divina Commedia e l’apocatastasi di Origene is concerning especially a study regarding the last sense of the Dante’s Poem, the «anagogico» sense. Some inverted acrostics are considered, and the structure of the poem and the acrostics seems to suggest the possibility of an origenistic last sense of the Comedy. In the first part are considered several textual elements, especially new. In the second part there is the philological work about the esoteric tradition around the Divine Comedy, and after is presented a poem “forgotten”, the Città di Vita of Matteo Palmieri.
In the last part – the final part – are considered some particular acrostics, especially "inverted", and the technical expedient of Dante is compared with the expedients of the symbolistic poetry, especially concerning the production of Stephane Mallarmé.

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